publications

the ‘Scotsman’ - artist-in-residence and Virgin Hotel Edinburgh, april 2024

the ‘Scotsman’ review 2024

“Virgin Hotels Edinburgh launch artist-in-residence 'Unicorn Studio' in Old Town turret near Royal Mile”

charlie yates is the first artist-in-residence to work at Virgin Hotels Edinburgh. the initiative aims to support and nurture Edinburgh's young, talented, creative community. this marks a significant milestone as it's the first time Virgin Hotels has offered such an opportunity. additionally, yates was featured in the ‘Scotsman’ newspaper, his most prominent article yet.

if you are interested in reading more, visit the article here.

artist charlie yates sitting in front of kai•ros - Oil on Aluminium Canvas (200 x 130cm) displayed at Open Eye Gallery.

kai•ros solo show

"the perfect, delicate, crucial moment; the fleeting rightness of time and place that creates the opportune atmosphere for action, words, or movement."

yates’ paintings are windows to moving, memorable, and arresting moments in time experienced on his journey through Japan. they reflect and combine Japanese simplicity and nature with the appreciation of imperfectness, known as ‘wabi-sabi.’

the foundation for this body of work is made up of memories of his time spent there and is informed by sketches, photographs, and recordings, both written and verbal in nature. combined with recalled experiences and mementos, ‘kai•ros’ embodies many pristine moments witnessed in Osaka and Kyoto's zen gardens, temples, and forests.

with careful consideration of the reciprocal marks nature and art can leave on each other, yates has recognised the impossibility of removing nature from the art itself. all paintings in this exhibition show appreciation towards the materials used, amongst others, by purposefully utilising the surface of the wood as a part of the painting itself.

“I selectively choose everything I am painting onto, not just the paint itself. For my work, I sustainably obtained wood from different sources; for example, slabs of Hinoki wood, which I collected from the Fushimi Inari Temple, were used to build the red Torii Japanese gates. Its groove has a fascinating way of presenting itself over the years, leaving a beautiful mark that adds a sense of history to my paintings.”

with the use of a limited colour palette and a technique of removing layers of oil paint with a cloth, yates’ paintings are evocative yet candid and intriguing; they present the captured images as less literal, more so asking for the viewers to interpret and to question what is in front of them.

after winning the Aon Community Art Award 2021, yates has been involved in exhibitions with the National Gallery of Scotland, Lyon and Turnbull Auction House, and the Watermill Gallery, where his exhibition was featured in ‘The Times.’

“THE TIMES” review 2022

“ambition is good and talent is better. yates has plenty of both”